In Relapse, the penultimate number of Erin Cuevas’s Ouroboros, three dancers appear suspended within a field of projected digital images. Striped vertical lines mark each body. As they begin to glide up and down the thirty-six dancing...

Amid this surge of invention, largely led by men, a woman stood out. Adelaide Alsop Robineau refused to within the limits set for her. When most women were confined to painting decoration on someone else’s porcelain,...