Past Exhibitions

Appositions features work by recent graduates of Syracuse University’s Studio Arts MFA program in the College of Visual and Performing Arts, including Franco Andres, Brandy Boden, Darcie Brown, Stephen Farrell, Devon Gelhar, Charles Hickey, Eric Mowen, and Katie Shulman.

For British artist Gareth Mason, porcelain is an all-consuming obsession. His lusty manipulation of clay is brought full-circle through the metamorphic power of fire. His surfaces seethe, buckle, and ooze with a tectonic force that reflects his own passion for process. This exhibition is a partnership with the Syracuse University School of Art, with additional support from Laguna Clay Company.

Since acquiring its first works by Adelaide Alsop Robineau in 1916, the Everson Museum of Art has built one of the finest collections of art pottery in the world. Renegades and Reformers revolves around two common personality types among potters: the “renegades” who embarked on highly personal artistic quests that pushed clay and glaze to their limits, and the “reformers,” whose modern designs and social attitudes pushed back against Victorian mores.

In this recent series of paintings, Cazenovia-based artist Jim Ridlon creates impressionistic portraits of gardens that are poetic meditations on the passage of time and the impermanence of nature.

Founded in 1923, the Scholastic Art Awards are the nation’s longest-running and most prestigious educational initiative supporting student achievement in the arts. Every year, students across the country in grades 7-12 are invited to enter original works of art in regional competitions. This year, over 2,500 students representing over 100 Central New York schools submitted 5,673 works of art, which was then judged by professional artists, educators, and photographers. The judges award first place (Gold Key), second place (Silver Key), honorable mentions, and special award honorees. Gold Key winners move on to compete at the national level, while a small selection of the Silver Key winners are displayed at the Everson.

Syracuse-based Iroquois China began as a manufacturer of Victorian fine china, but produced revolutionary dinnerware in the postwar era by designers like Russel Wright and Ben Seibel. Casual China showcases modernist designs produced by Iroquois China, Homer Laughlin, the Hall China Company and others.

Featuring works made from a variety of printing processes, including woodcuts, lithographs, etchings, and serigraphs, Lasting Impressions explores highlights from the Everson’s collection of twentieth century prints.

The culmination of the Everson Museum of Art’s 50^th anniversary year, YOKO ONO: REMEMBERING THE FUTURE situates the groundbreaking conceptual artist’s landmark 1971 exhibition at the Everson (her first solo museum show) within her enduring artistic work devoted to healing human connections and exposing social and political injustices. The survey spans more than six decades, bringing together significant works in film, music, performance, and visual art that are presented both inside and outside the museum building. From germinal early works to recent, large-scale installations, REMEMBERING THE FUTURE traces Ono’s experimental approach to engaging audiences as a means of contributing to a more accepting and peaceful world.

Featuring the work of six Syracuse University studio arts MFA candidates working across media and disciplines, Rubbish questions what waste materials can say about our collective history. This exhibition is presented through the Everson’s Community Exhibitions Program.