Everson Museum :: Past Exhibitions

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On View July 27 – September 15, 2019

Driven by a group of women finished with the silence surrounding sexual harassment and violence, the #MeToo and #TimesUp movements unified survivors and empowered women to speak up and speak out. This exhibition features a diverse group of local artists who create work in support of these campaigns.

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From the Archives | Video in America

On View January 12 – December 29, 2019

The Everson’s commitment to video art began in 1971 with the launch of one of the first exhibition programs in the country to feature the work of video artists, and today the Everson’s historic video art collection contains over 400 tapes. Over the last several years, the Museum has worked to conserve and digitize a significant portion of the collection and this exhibition features a number of the newly digitized works.

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Seen and Heard PAL Project

May 25 – August 6, 2017

The Photography and Literacy Project is an innovative program positioned under Syracuse University’s Coalition of Museums and Art Centers (CMAC) that brings SU students into Syracuse City Schools to develop projects involving photography, video, audio recording, and writing. The objective is to improve students’ writing and reading skills by linking these studies with photography, video, and poetry.

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Veterans Creative Arts Festival

April 15 – May 21, 2017

Across the country, Department of Veterans Affairs facilities incorporate creative arts into their therapy programs to help Veterans recover from and cope with physical and emotional disabilities.

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Bradley Walker Tomin, Tension by Moonlight, 1948, oil on canvas, Gift of Mrs. Kathleen Tomlin, Mrs. Earle Dockstader, and Jean Barron

Bradley Walker Tomlin: A Retrospective

February 11 – May 14, 2017

The Dorsky Museum, in partnership with the Everson, is organizing the first retrospective and catalog of American painter Bradley Walker Tomlin (1899-1953) since 1975. This exhibition, including over 40 paintings, works on paper, and printed materials, charts Tomlin’s development from art nouveau illustrations of the 1920s to large-scale Abstract Expressionist paintings of the 1950s. The exhibition explores his formative years in Syracuse, early patronage by Condé Nast, and the important role played by the Woodstock art colony. The exhibition originated at the Samuel Dorsky Museum of Art, State University of New York at New Paltz.

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Robert De Niro Sr., Portrait of Virginia (Portrait of the Artist’s Wife), 1952-53, Oil on canvas, 33 ½ x 34 ½ inches, Gift of Goldian and Andre Vanden Broeck

Salt City Abstraction

February 11 – May 14,2017

Salt City Abstraction features modern and contemporary abstract artists from the Everson’s collection that have lived and worked in Central New York, including Juan Cruz, Robert De Niro Sr., Darryl Hughto, Margie Hughto, James Ridlon, Susan Roth, and many others.

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Installation view of Vanessa German in MATRIX 174 / i come to do a violence to the lie, Wadsworth Atheneum Museum of Art, Hartford, CT, 2016. Photo: Allen Phillips / Wadsworth Atheneum

Vanessa German

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December 23, 2016 – May 7, 2017

Vanessa German uses paint, mixed media, sculpture, and performance to directly confront racism and violence in today’s society. Based in the Homewood section of Pittsburgh, a neighborhood devastated by drugs and crime on a daily basis, German creates work in response to her life experiences.

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Jackson Pollock Red Composition (Painting 1946), ca. 1946 Oil on Masonite, 19 ¼ x 23 ¾ inches Gift of Dorothy and Marshall M. Reisman. Jackson Pollock, © 2016 Artist Rights Society (ARS), New York/ADAGP, Paris

More Real, More a Dream

January 28 – April 30, 2017

Realism and abstraction are the two poles of painting in the 20th century. Drawn from the Everson’s collection, this exhibition brings together an eclectic mix of abstract works from the 20th century to explore the wide variety of formal and compositional decisions artists make when depicting simplified forms, reductive shapes, gestural or precise lines, and selecting a color palette. Primarily comprised of paintings, a selection of sculptures, prints, drawings, photographs, video, ceramics, and decorative arts objects are included to draw connections among the various media and approaches to both two and three-dimensional objects.

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Key Figures: Representational Ceramics 1932-1972

On View January 19 – June 23, 2019

Dating back to the Ceramic National exhibitions, which began in 1932, the Everson has a rich history of supporting artists who explore the figure. Artists like Viktor Schreckengost, Edris Eckhardt, and Waylande Gregory routinely received awards and critical acclaim for their work. Key Figures examines the larger-than-life artists who shaped an art movement, and features select works from a new generation of artists who are building on this legacy by using the figure to explore identity, narrative, and allegory.

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Myrton Purkiss (American, b. Canada, 1912-1978) Large Plate, 1951 Stoneware. Purchase Prize given by Homer Laughlin China Co., 16th Ceramic National Exhibition, 1951

History of an Exhibition

Syracuse Hancock International Airport

Inaugurated in 1932 at the Everson, the Ceramic National juried exhibitions helped shape the course of ceramic history and launched the careers of many notable ceramic artists. This special exhibition showcases more than 70 pieces drawn from the Ceramic National exhibitions, all of which are now part of the Everson’s acclaimed collection.

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Past Exhibitions

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